Saturday, December 30, 2006
kalhua is a liqueur. you can buy it anywhere that sells alcohol. comes in a brown bottle. it tastes like chocolate and is a major component in my favourite cocktail, the "white russian", with which i have been reacquainting myself frequently on this trip. i had 3 last night while on a girl's night out while my dad and brother went to see the toronto raptors v chicago bulls. they were some of the best i've ever tasted, ie the ratio of alcohol to mixer was damn near perfect.
pour equal parts kahlua and vodka over ice and then add as much ice cold fresh milk as you like. some bars serve in a highball but i prefer a whiskey tumbler. i suggest experimenting til you find the glass and dilution you prefer. this is all done in the glass, no need for a cocktail shaker.
note 1: make sure you don't put in more vodka than kalhua. this error makes it look watery and the vodka overpowers the kalhua, if in doubt and you don't have a drinks measure, be more generous with the kalhua.
note 2: this is sometimes served with cream rather than milk. the northern whig used to serve it this way. frankly i think it's disgusting as all you can taste is cream. if in any doubt, ask your bartender what their recipe is. particularly if they are cute.
point of information: this drink made with skimmed or semi-skimmed milk became known in hollywood in last couple of years as a skinny white russian, (according to heat magazine)
a white russian is typically garnished with a cherry. i am rather particular, and if it's not a maraschino cherry, preferably with stem attached, i think it's a waste of time. plain cocktail cherries taste of nothing, or perhaps like plasticine. a maraschino cherry (you'll find them in jars in the supermarket) sits in the bottom of the glass and is a real treat when you drain your glass. (stemmed are better 'cause they're easier to pull out of your glass and perhaps you might even wish to tie said stem in a knot using only your tongue a la audrey horne in twin peaks (serve with equal parts seduction and coquettishness).
i always thought monopoly is a long game. but the other night i discovered the art of trading, which i had never done as a child (i reckon it's been 20 years since i last played). the game is traditionally long i think because it's not competitive enough and played 'safe' - to win you need to make your opponents run out of money and property. to do that you need monopolies so that each time they land on your 'street' with a 'hotel' they are forking out lots of rent. to make the game more exciting and faster, buy everything you land on that's available to buy and then as game progresses at the beginning of your turn you trade properties with your opponents so you build monopolies, upon which you build houses and hotels, again, as fast as possible. if everyone plays like this the board has sections where there are massive rent costs - think of them as 'rapids' in kayaking. if you are paying more rent than they are taking in they will run out of cash and have to mortgage or sell your property and eventually hit bankruptcy.
decide at the beginning of the game exactly how you will move around the two boards (we sat them with the go squares side by side) and how many times you will be passing 'go'. we stuck with only twice, ie collect $200 twice in each full journey round board) but you could increase this (to 3 times/$600 or 4 times/$800) so you collect more money with each full journey round the board. but note, the more money you are receiving from the bank the longer the game will last.
note: jail, chance, community chess, free parking (see below) are all played on the board you are on - e.g. if you land on go to jail you go to the jail on the same board. however, properties can be traded across both boards, e.g. you can trade the ewok village for krustyland studios.
six players with two boards was ideal and, if nothing else, having contrasting boards makes for more comedy value.
my dad suggested that we could have started half the players on one 'go' square and the other half on the other. this would have meant that rather than everyone buying star wars properties and then simpsons, it would mix it up a little by getting both boards in play straight away.
the thing to do is put two boards together and walk your way through it. make up your own rules.
one of the rogue rule we used that was cool:
when you have to pay chance and community chest fines or taxes on the board, put the money in the centre of the board you are playing at the time, rather than paying the bank. when someone lands on free parking - they get the 'pot'. the bank donates $500 do the pot on each board at the start of the game and each time the pot has been emptied bank puts in another $500. note: when you are awarded money in chance or community chest, e.g. you've one second prize in a beauty contest, recieve $20, it is the bank that pays you, not the free parking pot.
best played with copious amounts of kalhua.
Friday, December 29, 2006
Double board Monopoly (using the Star Wars and Simpsons editions) - put two boards side by side and work round in a figure of eight fashion. double the money, double the fun
A board game in which one describes a word on a card accurately, efficiently, succinctly...
a full round of brie, topped with toasted walnuts, brown sugar, and kalhua - and then warmed in a hot oven till the brie is soft and gooey. eat like a dip with a fresh bread or crackers.
Wednesday, December 27, 2006
it's a white Christmas at last.
listening to the new tom waits this morning. have only heard brawlers so far, but loving it.
reasons to be cheerful. 1.2.3.
Tuesday, December 26, 2006
sour cream glazed Timbits
fleece lined mittens
a mighty wind
frank capra's it's a wonderful life
having a light inside the dryer
this list may be added to...
Monday, December 25, 2006
having opened our gifts this morning, ewan produced one last present for dad and i. we just watched 50 minutes of our childhood, which he has painstakingly and lovingly transferred from super 8 film to dvd, with an incredible instrumental soundtrack from sufjan stevens to iain archer. we hadn't seen any of the footage in over 20 years.
it's a work of art and i get to bring it home to treasure.
colour us all thoroughly tear stained.
lunch is up, better go.
blessings, wherever you are...you are missed.
Sunday, December 24, 2006
random, perhaps unconnected, sentences...
still no bags.
i say a guy in a mall today in a head to toe faux cowboy denim get up, with a stetson and a sheepskin coat. he was in his seventies. he was wearing a brooch in the shape of a turtle made of gold and diamonds.
for first time i'm suffering jet lag on the west side of the atlantic. shattered by half nine in the evening and awake before seven each morning.
yesterday toronto was covered in rain clouds. looking up from the rain soaked streets the skyscrapers were cloaked in think low cloud. they just disappeared... i didn't have a camera...so i just craned my neck and looked up at the buildings disappearing into the nothingness...
miriam fell on the stairs the other night and her ribs took the brunt of the impact. she spent much of yesterday in the hospital getting checked out. not wanting to risk taking pain killers, she's in a lot of pain and discomfort but my soon-to-be-born niece is unscathed. i feel kinda helpless.
yesterday i visited one of my favourite bookstores of all time - Pages on Queen st. i bought a book called beautiful losers that has me excited to get back to my studio in Belfast.
i know the name planned for my soon-to-be-born niece.
today i bought a digital SLR.
(at least the last ultrasound suggested it was a girl. but only on arrival can anyone be sure.)
this morning i lay in bed thinking about the idea that out there somewhere might be the person who could be your significant other. and you might not even know them. and what if you never met them? if you changed your plan or your route or failed to look up at the right moment and foiled fate's plan? and i thought about it. and thought that was a frightening idea. but maybe there's no such thing as fate. that was equally frightening. que sera.
my brother makes really good white russians.
i also got a new top to wear for Christmas eve - our major day of family celebrations as many of the stynes clan head out of town on the 25th. and a pair of rocket dogs that i am thinking of naming i like 'em so much. and a jacket. and shades. a pair of jeans. and underwear. and so on...
snow is forecast for the 26th. bring it on!
he'll also make a great father. he already is. he takes such good care of them.
presents are all wrapped.
i'm wiped. gonna hit the hay. am planning to watch it's a wonderful life in the morning before heading out for roll call in the styne's kitchen around a big plate of fresh cinnamon rolls...
well, except for the ones that aren't lost in an airport somewhere...
Christmas greetings one and all. may you have peace. real peace.
Thursday, December 21, 2006
well the snow may have melted and the sun may be shining on the squirrels as they play in the trees and eat the berries outside the porch but it sure feels like christmas. two thrushes and a squirrel came right up to the window amidst the berries and i toasted them with my mug of coffee and said hello. it was one of those little moments where i felt the universe get small and intimate and clack-clacking as buechner would call it...
as i type my wee bro is playing a lovely snuffy walden esque melody on the guitar...
now, seeing it in the flesh, it is of no surprise that this tree lined street was used as a film set and that historic tours come this way to see the houses... i've yet to find the words to describe it. the homes aren't big or grand but they have a kind of comforting character and charm.
we arrived safely, my dad and i, but our bags haven't.
but no matter, it's all good.
great to see ewan, and dear miriam who is heavily pregnant and incredibly beautiful with it, and for the first time to be in their home, which is so lovely.
for those of a praying disposition, please keep Andrea, her brother Chris and her husband Alan in your thoughts. her father has passed away. the circumstances are difficult. i know she will feel strengthened by knowing there are folks keeping her in mind and heart. and even if that's all prayer is, well, i'm coming round to thinking it's not wasted. Andrea emailed me to tell me the news and in the midst of shock and grief she still remembered i'd be flying and wanted me to know she was thinking of me and that i had an unstressful journey. that's the kind of girl she is. Andrea, you are loved.
well, i'm here without laptop so i'll be sporadically posting. time to go get cleaned up and then we're gonna dander round the neighbourhood.
it's all so beautiful. i left home feeling totally overwhelmed. here, i'm adjusting to feeling calm.
Friday, December 15, 2006
my laptop hard drive is dead.
everything i have written since it arrived almost a year ago to the day is lost. all pictures. all music. a significant proportion of my emails i have received and saved so that i could remind myself that friendships were not a figment of my imagination but the real deal. all my IM conversations i saved for revisiting cause of the good advice contained therein.
fuck. everything i have written outside of these pages.
and no aiden to tell me i should've backed up. not so funny when it's actually happening.
i wish i could say that was the worst thing about today. it wasn't, but it was more appropriately fitting to my week than i could have designed. it's just loss, loss and more loss...
Thursday, December 14, 2006
the rumours are true, the shelves in dublin are empty. keli and i took a train ride to the auld town today and came back laden.
christmas shopping was so much easier after a glass of wine mid way through the afternoon - i developed what can either be desribed as an uncharateristic decisiveness (for a libran) or i just stopped looking at price tags and went with my gut...which as those who've been on a pub quiz team with LB know 9 times out of 10 is not to be questioned. i even bought a little present for myself. for the first time ever i bought perfume from the jo malone counter in brown thomas - that little place where i also stop and look wistfully and inhale longingly. pure indulgence but god it felt good. note to self: use sparingly!
so, i am about to stick on something classic (read: cheesy) and musical on the dvd and start wrapping.
in a week that started off with an unravelling and facing some serious questions of what leads me into spirals of disconnectedness with the world it feels nice to be focussing on others who mean a lot...
to those that have been praying, thank you. i say that without an ounce of cynicism in these agnostic bones. it has given me courage this week and from a place of real feelings of isolation and lonliness it has been a real reminder of what love-in-action looks like to know that some of you have been spending moments asking i-know-not-what to make its presence felt in my days...
blessings that came dressed as intentional and surprise encounters the last couple of days were a chance to start reconnecting... which having realised what some of my issues are is a little daunting... but, as Sigmund told me... when everyone else seems fine to you, and you feel like you're the only nutcase, remember that fine means they're Fucked up, Insecure, Neurotic and Emotional.
cheesy maybe, but it's kind of like imagining people naked when you are public speaking. that's never worked for me cause i find public dispays of flesh intimidating, but you get the picture...
so things are gradually improving. i have named some beasts this week... there has been some stark clarity in the darkness. the new year will be very much about working out what overcoming that looks like on a daily basis...
so i'm off to play santa's little helper, well, without the tights and little hat, although i am actually wearing a wooly hat right now, it's a new purchase. it makes me feel all enid blyton or perhaps like a character in some kind of 'evacuees' drama... as i wrap presents i shall be painting a mental picture of the recipients and imagine them using said gifts... it was how i decided what to get each one... some of then will be imagined in a room on their own and seriously rocking out... others curled up reading... others entertaining... it makes me smile...
coming soon: team fury top 5s 2006: music, films and books - the combined list.
my baby is in the apple doctor getting some medical treatment and i'm still trying to keep my word intake and output each day to a minimum and focussing on reconnecting with human beings.
thus my postings will continue to be sporadic for now. but needless to say, things are looking up a little.
i'm doing fine,
Saturday, December 09, 2006
i'm curled up on the sofa with a mug of tea, some toffifee and a favourite movie to fall asleep in front of...
so, tonight i was in the one act play, the women's stories, which i think i mentioned somewhere along the way.
after a rehearsal featuring much fluffling of lines, accompanied by cursing (that would be me), and general sense of tongue tiedness, we sailed through the actual performance. we darn well nailed it. from the directions, the haka, singing, to our lines, the tone...
part of my, well, part was i got to tell the story of the 'haemorrhaging woman', so i've brought home with me my 'blood streaked' apron as a reminder of the experience. i'm tired, but quietly satisfied. i'm proud of all for a job done good. but i am very very tired.
with the play out of the way, today was the day for me to collapse under the weight of a lot of stuff i've been shoring up.
such is the nature of the place i currently find myself in, i'm not sure if i'll be around here for a while, as i need to try and deal with some heavy stuff back in the real world where i don't have the luxury of an alter-ego. part of this is the need to step beneath words for a time. for some time i've been retreating into an increasingly isolated world of books and writing where i feel safe, and that's not what i need right now as the stuff down the mineshaft has no words... or at least, no rational articulation making for coherent sentences...
but it is the place where the past is and if i am to find a way to live where that past does not keep repeating itself over and over, and where i can live with peace, then i need to deal with whatever is down there... my reading and writing have been pointing in that direction for days as more importantly has some significant conversation with two trusted guides who know what they are talking about. i need to let the words go for a while and live through the hard stuff... thinking is not the way through this, only feeling is... for as terrifying as that is...
i finally felt like i was slipping under and so tonight i sought some intervention before it got any worse and i slid over the line where i would be past caring if i made it back up to the surface...
i don't mean that to sound overly dramatic but i don't want to piss folks off who drop by here with some regularity if there are no updates for awhile.
so, until whenever, be it a couple of days or weeks,
take care of yourselves and each other as jerry springer say.
this is not a rehearsal.
Friday, December 08, 2006
so, the good lord was a no show and alas this evening was spent in my own company... aloneness now something i am being encouraged to 'play with' and an opportunity to replace 'loneliness' with something quite different...
or perhaps not 'alas'...
on a date with myself, i went to qft and relished every single frame of 'La Turneuse de Pages". this has gone straight to the upper echelons of my 2007 movie league such was the almost perverse level of pleasure i got from this... french, hitchcockian, no, the stuff of hitchcock's fantasies... an exquisite soundtrack and use of music within the story... incredible performances... a pure distilled story of such straight up simplicity - revenge, a dish best served ice cold and in a manner befitting the original 'crime'...i will be going back to see this again. delicious.
Thursday, December 07, 2006
received this from the gd dr, with the title, you will love this.
well, indeed i did. thanx gh.
so my question is,
let's assume freud is totally wrong and a man is not looking for a copy of his mother, for indeed who's gonna match up to the Blessed Virgin, if Jesus was willing to entertain the idea of giving up all those good chrispo-chicks and being my boyfriend, how far would he be willing to go on the first date?
that said, you gotta wonder 'bout a guy using deific omnipresence to multi-date...and ever since 'father' john bell said in a gb seminar that the Saviour had headlice, well, his good-on-paper-guy reputation i had imagined has been somewhat tarnished...
i just... i just pray you will come on a date with me this friday night.
please come in the form of sam seaborn, deputy communications director to the bartlett administration, (preferably season 3).
since you are G-d, i imagine that spending an evening in the guise of a ficticious character
is well within your super powers. dress casual. or not. whatever. not really fussy.
men: can't live with 'em. can't shoot 'em.
Wednesday, December 06, 2006
Snow can wait -::
"I forgot my mittens!"
Wipe my nose... get my new boots on.
(I get a little warm in my heart when I think of winter)
I put my hand in my father's glove.
I run off where the drifts get deeper...
Sleeping Beauty trips me with a frown.
I hear a voice,
"You must learn to stand up for yourself,
'cause I can't always be around..."
"When you gonna make up your mind?
When you gonna love you as much as i do?
When you gonna make up your mind?
'cause things are gonna change so fast..."
(All the white horses are still in bed...)
I tell you that,
"I'll always want you near!"
You say that,
"Things change, my dear..."
Boys get discovered as winter melts,
Flowers competing for the sun...
Years go by and I'm here still waiting
With a ring, where some snowman was.
"Mirror, mirror - where's the crystal palace?"
But I only can see myself.
Skating around the truth, I am:
"But I know Dad - the ice is getting thin..."
"When you gonna make up your mind?
When you gonna love you as much as I do?
When you gonna make up your mind?
'cause things are gonna change so fast..."
(All the white horses are still in bed...)
I tell you that,
"I'll always want you near..."
You say that,
"Things change, my dear."
Hair is grey
And the fires are burning...
So many dreams on the shelf.
"You say, 'I wanted you to be proud of me!'
Well I always wanted that myself...
When you gonna make up your mind?
When you gonna love you as much as I do?
When you gonna make up your mind!?
'cause things are gonna change SO fast..."
(...All the white horses have gone ahead...)
I tell you that,
"I'll always want you near..."
You say that,
"Things change, my dear."
(All the white horses...)Tori Amos, from Little Earthquakes, (1991)
But the girl's development, in Freud's view, is more complicated. First, it is implicit in his description of male development that in order for a girl to become a woman who is desirable to a man she has to become someone who resembles a man's mother. But second, as a desiring subject - or rather, as Freud's normative version of a desiring heterosexual woman - she has to change her love-object. She has to experience, as it were, two degrees of newness; the first new object is the father, who, we assume (or presume), doesn't have to resemble the mother in order to be desirable, who is apparantly, by definition, not a copy of the mother; and then presumably she has to replace the father with a man who resembles or derives from him. Either a woman has to desire a copy of a copy; or, for the devloping girl, there is an excess of newness, which means two lots of newness, which means two lots of sufficuent resemblence to be dealt with. Normal Freudian man goes from mother to similar new woman; normal Freudian woman goes from mother to father to new man. If at the end of her development, as Freud puts it, her father should have become her love-object, how, one wonders, will she have the strength - the emotional and imaginative resiliance - to get to another new love-object? ...Adam Phillips, "Waiting for Returns", from Side Effects, (2006) p.208
Tuesday, December 05, 2006
..dug out Hopes and Fears by Keane today… found some dark stuff…
as my intentional “time off for me” continues in faltering and sometimes uncomfortable fashion, (amazing how much our daily busyness allow us to avoid ourselves – distracted disregard becomes so much harder when you don’t have to turn up at a desk), and I attempt to be as creatively active as I can with my hours, I sit over my daily and solitary ritual of coffee while drafting words and ideas, or perhaps i am simply escaping the madness of persistant solitude with pen and page as a kind of company. whichever, i’ve been mapping out some collecting thoughts on memory that have been deposited on the water’s edge over the morning. Inhabiting this album, or (perhaps letting it inhabit me), from one of the bestselling and yet “uncool” MOR bands of the past few years has led me surprisingly, yet naturally, to dark contemplation… lyrics brimming with a brutal kind of honesty … braver stuff than it might get credit for, there are statements here that if spoken in open confession would rightfully make the listener drop the eye awkwardly… some truths are just unbearable… and I wonder if we spend much of our lives pretending we don’t feel this stuff…
Here’s just one of several tracks where discomforting honesty seems to be dwelling…
She Has No Time
You think your days are uneventful
That no one ever thinks about you
She goes her own way
She goes her own way
You think your days are ordinary
That no one ever thinks about you
But we’re all the same
And she can hardly breathe
She has no time
For you now
She has no time
Or think about the lonely people
Or think about the day she found you
Or lie to yourself
And see it all dissolve around you
She has no time
For you now
She has no time
For you now
She says has no time
And my heart opens up to you
When she says
She has no time
For you now
She has no time
For you now
How many housewives have ironed the laundry to this only to crumple to the lino weeping…? One? A thousand? None? Such sadness, such pointless aloneness… all feel the same… and still we persist in our resisting… even though we’re hardly able to fill our lungs for the lack of one another…
Perhaps the curse of being human is that we cannot live together and we cannot live apart…
or perhaps that's just me.
delved back into this bag of tricks today to reread an essay on family and it was followed by one on creativity that grabbed my attention...and i had to chuckle when i read this quote, having just written the above...i put it here entirely out of context, for if i tried to put in in context i'd end up quoting the entire essay...highlighting is my own...
Honesty is simply memory; truth-telling is remembering what it is you want. what the patient is resistant to, what has made the patient a modeller, a Promethean rather than a carver or a midwife, is the horror of the past.
Adam Phillips, Side Effects, (2006) p.88, On Not Making it Up
Oddly appropriate Advent listening *2:
Pillow by Adem.
...taken one year ago today.
so much sadness... the end of everything...
364 days in between.
where to begin understanding how things have changed...
it's milder, that's for sure...
but sometimes i still shake myself as if in a dream and think is this really real...?
and, what the hell am i doing here? where will i go...?
still looking for the place to build a nest
still learning how to love oneself best
Monday, December 04, 2006
New Day – let’s try again…
So this morning I learnt the haka – well an approximation of the haka – in preparation for chloe’s play. I can’t imagine what her tutor is gonna think but it’s novel at least and fits really well... boldly ushers in the darkness and violence of the crucifixion to the tale.
So this morning was a fun experience, and fascinating: sparking off thoughts this afternoon on what we understand by male and female aggression… the posture so definitely masculine, the moving body hunched forward and over, almost gorilla like, and the grunts pulled up from low in the body… this is a dance with balls… come on if you think you’re hard enough… we’re gonna slaughter you and smash your infants upon the rocks… I didn’t think I was much of a girly-girl ‘til this morning I tried to imitate a 16 stone rugby player. Even in stomper boots, the body held with too great poise, posture too straight and balletic… movements too flowing, where the limbs should be jabbing, stabbing, punching… we need goliath bulk, not Davidic grace… our throats lower and roughen, our faces scowl to threaten… words spat from a growling throat…
With black masks covering our faces we are hitching our skirts mimicking an oldtime act of female aggression (apparently this was once upon a time in our own culture considered frightening enough to ward off intruders… look what I have under here – it’ll bite if you come any closer, trespassers will be prosecuted)… bending spread knees to stamp and grunt…the mob baying for blood… welcoming death and violence… demanding sacrafice. There is nothing in this story for the tender hearted… they whipped and they stripped and they strung him
Cleansed the soul… invigorated and channelled out that which was choking the throat yesterday… an enemy without or within, I don’t quite know, but all that shouting and stamping this morning was cathartic in a primal way…
Oddly appropriate advent listening
Listening to the Prefuse73 T5 soul sessions Vol 1.
At 14mins48secs a familiar strain comes, and the mind fills in the invisible lyrics
God rest you merry gentlemen,
Let nothing you dismay
For Jesus Christ our Saviour
Was born upon this day
And then a voice joins to sing a latin american sounding variation on the old classic,
They killed someone else in the hot sun of a Christmas day…
I have no idea what that’s about… but it’s something about something…
Enclosed and Exposed
Been working this past few days on the themes of family and our visible and hidden selves within family, in the initial stages of a collaborative project with Jayne… trying to get my own thoughts down on paper… starting as I always do with words and thoughts, word play and association, trying to get my own take on what we might do before working out how we might combine our individual perspectives into some kind of coherent vision that still gives each of us voice. Needless to say, my own is gonna be a lot darker I’m certain… but it’s all provisional and even if I end up shifting into a whole different direction of how I see it I really enjoy this process… as with helping out Chloe on her project, and reminiscent of planning ikon gatherings, it’s all about letting words float about and ideas rise to the surface… watching as they shape and conversing with them in doodles and mind maps… what is all this mess here? How do I make sense of this, what are the questions needing answered?
I love the joining of the dots, flowing from word to word to word, sometimes smooth, sometimes leaping… a kind of map making… not just of a vision but of the self… linking the personal to the social, and trying to find the universals in between…
And something makes me want to link that thought with this from Dillard, although at present I can best think that’s got something to do with language…
“…somewhere around 11,000 yrs ago, some clever hunting human primates – who made stone spears, drew pictures, and talked – had another idea. they knocked ripe seeds from transplanted wild barley or einkorn wheat and stored the seeds dry at their campsite in the Zagros Mountains. Since eating ground seeds kept the families alive when hunting failed, they settled there, planted more seed, hunkered down to wait its sprouting, and, what with one thing and another, shucks, here we be, I at my laptop computer, you with a book in your hands. We are just like squirrels, really, or, well, more like gibbons, but we happen to use tools, speak, and write; we blundered into art and science. We are one of those animals. The ones whose neocortexes swelled, who just happen to write encyclopaedias and fly to the moon. Can anyone believe this?
Yes, because cultural evolution happens fast; it accelerates exponentially and, to put it less precisely, explodes. Biological evolution takes time, because it requires biological generations; the unit of reproduction is the mortal and replicating creature. Once the naked ape starts talking, however, “the unit of reproduction becomes” – in the words of anthropologist Gary Clevidence – “the mouth”. Information and complexity burgeon and replicate so fast that the printing press arrives as almost an afterthought of our 10 billion brain neurons and their 60 trillion connections. Positivist science can, theoretically, account for the whole human show, even our 5.9 billion unique shades of consciousness, and our love for one another and for books.
Science could, I say, if it possessed all the data, describe the purely physical workings that have enabled our species to build and fly jets, write poems, encode data on silicon, and photograph Jupiter. But science has other fish to fry. Science (like philosophy) has bypassed this vast and abyssal fish of consciousness and culture. The data are tighter in other areas. Still, let us grant that our human world is a quirk of materials. Let us ignore the staggering truth that you hold in your hands an object of culture, one of many your gaze meets all around you. If, then, the human layer in which we spend our lives is an epiphenomenon in nature’s mechanical doings, if science devotes scant attention to human culture, and if science has scrutinized human consciousness only recently and leaves other disciplines, if any, to study human thought – then science, which is, God knows, correct, nevertheless cannot address what interests us most: what are we doing here?”
- Annie Dillard, For The Timebeing, 1999, pp 93-95
Listening again for first time in a many a month to Denison Witmer’s album Are you a dreamer?, arguably my favourite album of last winter (but who’d want to argue about such a thing)… too cozy for warmer months… no less beautiful this year. If I found it hard not to weep every time I heard this last year, it is testament to the improvement in my broader emotional states, it now makes me smile wistfully. The magic that music does to us, speaking each passing year with evolving voice never ceases to amaze me.
Perhaps faithfulness rewards us with unfolding returns. At least, it feels like it ought to… maybe that’s why music feels like magic…
well i guess my mood just didn't improve all that much, or at least if i woke up feeling like the weather, then, despite a delicious evening meal in the company of some lovely people who deserved better company than mine, i retire feeling downright low...
for the first time in a long time i feel myself withdrawing...pulling myself into a small space and shutting down...if i were to hide i don't know where i'd go...
may one wake and climb out the right side of the bed, or find the world magically transformed and all the questions will have found their answers and be at peace...
tomorrow i learn the haka. and i guess it's not everyday one gets to say that...
Sunday, December 03, 2006
i miss the cottage on days like this, miss the everchanging views of wet greenness and earthy soil holding growing things and the movement of flying things... nature up so much closer and i guess 'natural', rather than rows of brick upon brick that don't need the drink and in drenchedness just inspire depressive claustrophobia...or perhaps it's just me, and not the weather, that's cold and heavy...
and just like the guy whose feet are too big for his bed...
still if i head out today, my feet shall at least be dry in my new 14 hole NPS stomper boots. whether i am channelling my inner butch or skinhead remains to be seen. regardless, flares and converse do not make for sog-free atire.
nothing seems to fit...
feel like i got out of the wrong side of bed this morning... irriatable, irked and impatient..."fecked off with everything and nothing" might be the way to describe it. my bed is by the wall, and with no option to reposition, i can only hope it rights itself soon... or i do...
those raindrops keep falling...
sitting now over a mochaccino or three, head in 'fonz with ::sun kil moon:: and ::tunng:: running from my laptop into my ears and on through my veins and restoring a sense of something like contentment... my iPod died but regardless, i've listened to very little of late... i've been feeling increasingly disconnected from music, maybe because these days i don't have the daily walk to and from work, and the absence of tunage kind of crept up on me...all i know is, i'm not happy about it... i used to listen to music from morning 'til night and these days my life feels drier for lack of a soundscape... life is a less sensory experience... it seemed that living with less music (at least through the 'fonz) might open me up to listening to people more, or seeing wonder in everyday experience of the cafe and street, but i am instead only made more aware of how much banal shite people are willing to spout (rather like this i guess)... perhaps for me attentiveness to the bustle of the cafe and street is better when it's an intentional attentive experience rather than the norm...there is an introvertedness to my personality that the privacy of the personal stereo system allows for...a room of my own i can carry with me...if there is a lesson it is perhaps, if it ain't broke don't fix it, regardless of what anyone says... me and my soundtrack work well together, i write more and, perhaps more importantly, relax more inside this iWomb...
they keep falling...
so, here's an excerpt from that waits interview in ::the word:: i keep revisiting, a source of inspiration,
mick brown: "there's a wondrful entry in jack kerouac's letters where... he's in a diner in Wyoming having breakfast and a cowboy walks in - the first kerouac's seen - and he describes it as if the very essence of life itself was gusting in the door. you seem to be very alive to those kind of moments, those epiphanies, in your songs."
Waits: "well, i think once you've experienced some of those moments you try to influence them. you're always waiting for them to happen, the way cats wait for things to move around the house, you sit and wait quietly, you know. you never know when they're going to happen, and you want to be ready. i think that's what people look for in songs. i write down song titles usually, and usually something that you're going thorugh emotionally will make a particular title leap out at you. this is what my wife says - there's something that you're already working on inside that this song will be the manifestation of. now you have a container. the first thing that anybody ever created was a container. someone made a bowl to hold the water. and then they made a song about the bowl that held the water. you know, people opnly travel really with their seeds and with their songs. in bosnia, they interviewed a lot of the refugees - they'd left with nothing and they asked them what they had, and they had seeds, in their pockets, from their gardens. and their songs. that was it. once you're nourished in that most fundamental way, everything else will follow."
...a tin can is a container...
and from julia cameron, who's vein of gold has been a constant insightful companion of late while i've been developing concepts for my submissions to the ikon art exhibition in the waterfront (feb 2007) and for a collaborative installation project jayne and i are discussing for later next year...
"here is another pernicious aspect of our mythology: you are not a "serious artist" unless you are perceived, recognised, acknowledged as a serious artist. this takes the power away from the artist and puts it in the eye of the beholder... the artist is reduced to a poseur instead of having the dignity of a self determined life. in other words, we are acting the role of an artist rather than inhabiting the identity of artist as it suits us."
i had copied this quote onto the front of my sketch&ideas book a few days ago and then twice yesterday i was asked by strangers whether i was an artist. while i hesitated and stumbled a little in my response, i could feel myself internally leaning into some kind of affirmative place... i'm gonna play with an easy-to-remember clarifiying and affirming response, but the more i think about this stuff and play with it, i more and more recognise that 'artist' or indeed 'writer' is used when what we mean is "professional artist/writer"... which when it comes down to it is not really very helpful... i don't want to create for money - by which i mean i don't want to create because the end point is earning money. i want to create as an end in itself, the process is the reward, the desire to creatively express is hugely defining of who i am, that radar as chris calls it listening and reading the world i find myself in, living through it and authentically voicing what i find and feel in it... i want to create for the love of it, because it feels like living, like right now as i babble away what i'm thinking and feeling i am fulfilled in the moment, i feel contentment in my body and peace of mind...that my life is so much more happier for creating things in word and image... we can call that what we like, i don't need a label, i'm just gonna get on with living and creating as i go and just making sure i build a lifestyle that leaves time and space for creativity of all kinds...'cause if nothing else it's good for my mental health...
i've been surprised by how unaffected i feel by hearing many positive responses to ::supended like scales::...or perhaps i mean how lightly i've been able to hold that... i don't think it's my discomfort at receiving praise causing avoidance...certainly it has given me confidence to do more work for a public setting, but almost paradoxically the encouragement makes me more enthusiastic to speak with my own voice rather than tailor it to what others want to hear...to keep creating for me... which has something to do with authenticity... i think...
being creatively productive has been getting a lot easier since i
1. stopped dreaming of being a 'creator' and just got on with creating,
2. not giving a shit whether it pays, and
3. started recognising myself as being inherently creative whether anyone cares or not... i guess i'm learning how not to ask permission...
so, in order to add to the ways in which i can express myself and also because learning is something we should never give up on, i've signed up for a course in photo-intaglio and got my name on a waiting list for a longer course in a wider range of printmaking techniques, and i am considering my living options so that they can include some kind of personal space devoted to creative playfulness, be that a studio or in a house...
i was really enlivened by the new realists exhibition at the tate liverpool when i stopped there on the divine comedy tour. i felt at home, uninhibited by the work. rather than dreaming of my having pieces alongside in some 'celebrated artist' kind of way, i just thought, i wouldn't feel embarrassed putting a scribble up on the wall beside these folks... they are people, saying something, and the only difference between them and anyone else is they have been recognised by people who run galleries and sell art as being worthy of display or purchase. perhaps i felt uninhibited because for the most part this is a style of art that is as much about message as it is about the ability to use a brush in a certain way. but all over the world folks are creating and no one ever notices them. it doesn't make them any less artistic or creative. if price or public recognition is the dividing line, then i really don't care... what matters is if you are living from the heart...
i'm floating away on a little wispy cloud of ulrich schnauss... that's enough incoherent rambling for now. gonna read me some more dillard... ::for the timebeing:: is awesome and i forgotten my copy contains scribbles in the margins from david dark...
outside it's still raining... and we shall know what we wish were present by the absense we feel...
Saturday, December 02, 2006
Postscript from a railway carriage…
Listening to the wonderful tones of Ted Hughes reading from Crow, (Chris, you are gonna love this), as we rattle and roll towards the dirty auld town... grimace rhymes with face…
Any alteration from Hughes’ grammar is my own… I loved hearing this so much I had to transcribe it… darkly comic.
So, on the seventh day the serpent rested.
God came up to him,
“I’ve invented a new game”, he said.
The serpent stared in surprise at this interloper
But God said, “You see this apple?
I squeeze it and look! Cider.”
The serpent had a good drink and curled up into a question mark.
Adam drank and said, “Be my God.”
Eve drank and opened her legs and called to the cockeyed serpent and gave him a wild time.
God ran and told Adam, who in drunken rage tried to hang himself in the orchard.
The serpent tried to explain, crying
“Stop!” but drink was splitting his syllable,
And Eve started screeching, “Rape, rape!” and stamping on his head.
Now whenever the snake appears she screeches,
“Here it comes again, help, oh help!”
Then Adam smashes a chair on its head,
And God says, “I am well pleased”.
And everything goes to hell.
On Sunday I picked up a copy of the word magazine pretty much solely on the basis of anton corbijn’s beautiful cover photo of tom waits.
The interview inside is no less beautiful. I’ve read and reread it. Truly inspiring in some deep gut level kinda way... more to come on that i'm sure...
but right now i'm off with keli to a print works open day and to get my hair cut,
Tuesday, November 28, 2006
sorry to any of you who've been checking in of late and finding no new posts...life's been messy in the way that means it's difficult to write in a public space...too difficult to edit out the specifics, or perhaps i've just been suppressing those feelings i've mined in the past so that i can speak of the universal without needing to reveal the particulars...
those who've been persistant like RD in dropping by will know this post started out last night as an untitled memo list of things i had in mind. after a busy enough day of lots of productive little bits n pieces, cleaned bathroom (followed by first use of the recently plumbed bath - bliss!), helped keli chop vegetables for tonight's tuesday dinner (groundnut stew), correspondance, laundry, and other sundry household chores, and well... the rest will be apparant as i go... i'm now ensconced in bennets for an hour to fill the blanks and perhaps join the dots... this'll no doubt be a long 'un...
across the line
last night i was at this... free in, some great music and topped off by two duets by duke special and iain archer, including 'the little drummer boy', which iain has recorded for this soon to be released charity download album. pete's solo set included a cover of 'i drove all night'. dee-lish-uss. it was also thoroughly entertaining to watch the gang of familair belfast gig photographers up the front vying for position with their long lenses and engage in running freud-meets-david attenborough commentary...
fun is also the word for the earlier part of the evening...as is full.
the 'gig' was preceded by ricky and i chumming each other on a grand tour of the christmas continental market in front of city hall - it's nice when you find yourself in the company of someone who understands the concept of 'i need to do a "once round" and see what my options are before i can decide', even though he was pretty much set on indian from the outset. patience is indeed a virtue. for a committed vegetarian, our richard took a surprising amount of vicarious salivation by encouraging me to consume the roasted hog bap - think spit-roasted pork piled into a bun with stuffing and a condiment of choice - i went for cranberry relish. my mouth waters at the memory. SO good. followed by a very tasty french vegitarian half baguette topped with mushrooms, peppers, red onion, lashings of garlic and what i think was possibly emmental, all served by a very cool french guy...followed by a classic sucre et citron crepe, also served by friendly french folks. this was all washed down with gluwein and a surprisingly decent mocha. i also sampled some amazing baklava and were it not for the fact i was stuffed to bursting, i would have had some spanish donuts called churros - which rather than being round with a hole are long and twisted. a return visit is definately required.
i am rereading for the timebeing. it's been a long while since i opened this and it's like reading it again for the first time. my perspectives on a lot of things have changed and so it feels a very fresh experience. thanks to the darks for a gift that keeps on giving.
will enthusiastically fill this blank, wednesday...
or, it's hard to read subtitles when you're peeking through your fingers. saw this on sunday night at qft. freaky. violent. arresting. beautiful. a fairy tale for adults. V.I.O.L.E.N.T. F.R.E.A.K.Y. i went to sleep with the fairy lights around my bedstead on... fear of mythic monsters is a delicious feeling all of its own. the trailer at the official site is for general audiences. it features a fine performace by "trailer voice over man!" and only hints in the merest way how very violent and freaky the film is... as i type i have the site open in another tab and the music is beautiful and haunting...
as a kind of creative pay-it-forward (see ted hughes entry) i passed on the following to a friend currently in song writing mode. together these items make the basis of a great tool for all forms of creative writing...for noting ideas, words or phrases that come to mind:
cork board, pins, flash cards, coloured pens.
my room is currently stuffed with piles of books and canvases but i'm gonna use what last remaining wall space there is to play with this method myself. this is the starting point for my next art piece, which i'll hopefully be submitting for an ikon exhibition in the waterfront hall in the new year. i'm not initially thinking this'll be a collage, but, as with those pieces, it'll start with words... i was inspired to see that tom waits notes down titles he comes up with for songs he's yet to write...
this week's homework is to go back to the drawing board and depict my emotions, which as noted above have not been particularly bright of late. i say this as much as anything as a reminder to myself that i need to get it done. i've been putting it off...
i'm acting in one-off performance for a small audience in the cafe for a friend doing a mediaeval literature module for their english degree. as part of her assessment, chloe chose to put on a play rather than write an essay. so, in front of her tutors, 5 women including me are telling the stories of incarnation, jesus' relationship with women, crucifixion and resurrection in a subversive version of the mediaeval style... i feel quite distanced from the narratives in some senses but the symbology is fun to play with and i quite like the parts i have...but all this means i have to learn lines, songs, choreographed movement around the stage, and the haka. all in 2 weeks.
thinking a lot about france. and namely, would i like to live there for a while? this is one of the many questions currently rolling around in my head. if the self-inquiry has a theme, it is, what's gonna be a life that will potentially bring me happiness and fulfilment..?
i worked in the shop with jayne on saturday. it's been a very long while since i worked in a store. agatha & bibi in newtonards is owned by the lovely emma and she sells beautiful womens and childrens clothing and accessories and children's gifts. it's a really nice store. and i had fun. and was reminded that when you work for nice people it makes all the difference in the world. i'm back there in a couple of weeks to fill in again and i am looking forward to it. oh, and i brought home a rather funky charlie & lola advent calendar. i may have wandered off the faith path this past year but i shall still be celebrating advent and using the time to consider what i want Christmas to mean to me this year.
cat and mouse
hmmm. been thinking about... this'll have to wait too...
received an unexpected gift on sunday. a cd of ted hughes reading 'crow' and other poems. i look forward to my first listen on the train to dublin tomorrow.
so, after a rehearsal at the cafe i'm off to see me Pa for 24 hours.
hope this finds you well
Monday, November 20, 2006
1. take the ridiculously well toned muscles of several body builders and plant them all on one body of a not bad looking bloke (but not so much he'll be called a 'pretty boy', mind!)
2. add lashings of pointless violence. lots of running. jumping. make your hero slip once or twice early on so the lads think he's one of their mates. but cooler.
3. throw in more machismo that you can shake a stick at, oh and on the subject of sticks: silencers on most of the guns, even when not needed. very long silencers. lots of them. together they spell out the word P.E.N.I.S. (or was that my imagination?).
4. add some hardly-at-all-veiled homoerotic sadomasochistic torture.
5. mix leading man with a "complicated" (read: intelligent) woman, who might as well have shagged James (to be said breathily) from the get go given she was gonna give in all along, but who instead waits til he's down to his last shred of masculinity, see previous ingredient, and then succumbs.
6. blend in blatant product placement. and some rather cool cars. act kind of like silencers when revved hard.
7. oh, a cherry for the top in the shape of dame judi to save the whole shebang as the stern-but-caring-matriarch who orders her boy to kill whilst being worried he's "putting up walls", doing it all wonderfully as only she can. bravo.
i prefer my men a little more lithe and bohemian and little less psychotically violent thank you very much. they've tried to make 007 a little more "new man" these past few years, but quite frankly the only difference is he only actually shags one woman and she plays harder to get than her predecessors. and to compensate, it's more violent than the old skool. i tried to disengage my brain. that was easy since some of the dialogue definately suggested the writers thought the audience were a few cans short of a six pack. it was plot-line-by-numbers.
but i did my best. this was after all entertainment. and so i allowed myself to be entertained. and i laughed. although curiously not when the blokes all laughed and sometimes on my own. i think maybe we were getting different jokes or something.
to be frank, and in short, it was kind of like sitting in the cinema with a couple of hundred men laughing as they all spanked the monkey together.
or, in other words, entertaining in its sheer ridiculousness. and if it's lads getting entertained with some mindless testosterone fueled cinematic action rather than actually killing other blokes on the street, who am i to complain?
casino royale. in your local multiplex now.
Friday, November 17, 2006
Thursday, November 16, 2006
Tuesday, November 14, 2006
keli and i have spent a lovely couple of hours on the belmont road having coffee and a light lunch while spicing up her CV and talking about plans, hopes and lessons learned this past year. tears wept for recognising one's worth and how one deserves to be treated, were accompanied by feeling gratitudinal for being loved and encouraged, for so much learned and the surprise of sailing through the past couple of weeks and conquering fears often without even really noticing them in the conquering. leaping and nets appearing, fears disappearing.
the next few weeks will need bravery to let go of the place i once called home and yet i am looking forward to putting plans into action and journeys ahead and getting back into writing, which i've missed a lot these past couple of weeks. can't wait to start processing the new things witnessed.
the tatt is now in major peel mode but doing well. but it's a little sad to say goodbye to the technicolour vibrancy of the top layer. more delicate shades lie beneath.
tonight i'm back at the tuesday table and mark and i being there together for the first time.
right, i have james alison article to read for tonight, keli and i are going to sort some paperwork for her visa renewal and my well, life, while getting into spooks season 2 and then there's dessert to be made for tonight.
so, after a thoroughly lazy monday, tuesday has been productive so far.
here's to whatever comes next...
thoughts on the past couple of weeks and no doubt a return to the '...s' will follow as the fingers get back into the zone.
i heard and sang along to this on the radio this morning as i washed plates and laundered, randy newman's lovely theme to accompany the little piglet that could,
A kind and steady heart can make a grey sky blue,
And a task that seems impossible, is quite possible for you.
A kind and steady heart, is sure to see you through.
It may not seem like very much right now,
It'll do, it'll do.
When you find yourself in the middle of a storm,
And you're tired and cold and wet,
And you're looking for a place that's cozy and warm,
You'll make it; you can never forget!
A kind and steady heart, can conquer doubt and fear.
A little courage goes a long, long way,
Gets you a little bit farther down the road each day,
And before you know it, you'll hear someone say,
"That'll do, Babe, that'll do."
A kind and steady heart, is sure to see you through.
A little courage goes a long, long way,
Gets you a little bit farther down the road each day,
And before you know it, you'll hear someone say,
"That'll do, that'll do, that'll do, Babe, that'll do."
::your joy is your sorrow unmasked::
Saturday, November 11, 2006
in bed. tired but so used to being up til at least half two in the morning these past ocuple of weeks i 'm finding it hard to get into sleep mode, plus my mind is racing with things i need to do first thing.
oh, and there's the minor matter of not being able to sleep on my usual side in case the tatt should stick to the sheets...
so, i have a cup of tea in hand, and i've just had a maple pecan twist, thank you stu!, and i'm reclining on a freshly made bed in my tidy room, everything's unpacked, i've done 2 loads of laundry, and a third is in the machine as i type, and my stuff for the last weekend leg of the tour is waiting to be packed in the morning.
for my own ref:
pack bag (need change clothes for last night aftershow)
jeff - contact p.
jayne - contact d.
email stock sheets - check queries
ben - text
text jim re: surf m.
sort out rtn
sometimes a blog is like a to do list.
Friday, November 10, 2006
Thursday, November 09, 2006
very weird to be back stage in a venue i've been in so many times in my youth.
concession tonight which means i get paid for someone else to do my job. nice. just need to make sure i stay the right side of sober as i need to count the takings at the end of the night and sign my name.
but for once i've been for a sit down meal with the band before the gig, which was a pleasant treat to have hot food and company on a work night.
in a few hours we'll arrive in belfast and when i wake i'll be a short hop from home. i'll be able to make my first coffee in the commune, unless i take the band and crew for an ulster fry. very excited to be going home.
tomorrow (fri) i'll be getting a tattoo. and saturday i'll be dropping by the cafe to get a special from ben, who rang while i was in galway for chat.
and best of all i'll get to fall into familiar embraces and hear the voices that let me know i'm home.
it's been an absolute trip, and i'd be up for doing this all again now i have a taste for it, but
colour me really excited to be getting 24 hours of 'the nest' before the final 2 gigs.
pete was doing a promo on the radio today and doing his desert island album. he chose tom wait's closing time. i've given my thoughts on that album here before.
but these are the waits' lyrics that spring to mind tonight as i feel the anticipation of returning...
San Diego Serenade
I never saw the morning 'til I stayed up all night
I never saw the sunshine 'til you turned out the light
I never saw my hometown until I stayed away too long
I never heard the melody, until I needed a song.
I never saw the white line, 'til I was leaving you behind
I never knew I needed you 'til I was caught up in a bind
I never spoke 'I love you' 'til I cursed you in vain,
I never felt my heartstrings until I nearly went insane.
I never saw the east coast 'til I move to the west
I never saw the moonlight until it shone off your breast
I never saw your heart 'til someone tried to steal,
tried to steal it away
I never saw your tears until they rolled down your face.
we've got something very special going on in belfast. we really have. i've met so many new people, experienced many things for the first time and been taken right out of my comfort zone, but for all the rock star touring coolness, if i had to choose, there are those i know i'd choose to be with hands down everytime.
you've been missed. can't wait to see your smile...
Tuesday, November 07, 2006
all is good. well, except my wallet's gone missing - last seen in nottingham. so in essence if it doesn't appear i've been working for free for a week. oh well, it's been an incredible learning experience.
but such is a small inconvenience. there's been a second bereavement suffered amongst the crew and it makes everyone feel far from home.
and yet sadness as ever sits beside celebration. it's neil's birthday and he just got presented with a cake on stage, with candles and a fine rendition of happy birthday.
i'm recognising the inner fragility rising that comes from witnessing and empathising with grief and holding back tears and it feels like missing home and i'm really looking forward to reaching belfast on friday and finding myself in familiar embraces and their accompanying voices.
you are loved. and missed.
Saturday, November 04, 2006
"what it is it", the bassist asks, his voice shifting as he speaks, "about liverpool? as soon as you hear a scouse accent you have an uncontrollable desire to imitate it?" if there were a city with a reputation that lends one not desiring to piss off the locals, this is it.
so, greetings from liverpool. yesterday was an off day. the crew headed home, we (the crew) slept on the bus overnight on thursday in the car park of the roundhouse and left around 8. i woke somewhere on the M6. i drank my tea and read my first guardian in a week (wearing my friday reveiw section smile) while one of the back line crew watch the Poseiden remake at base thumping loud level. no amount of hints from fellow travellers led to it being turned down so coats were put up over the speakers to (excuse the pun) drown out the screams and explosions.
i spent yesterday afternoon at the Tate Liverpool where i saw some surprisingly inspiring new realsit artwork including a warhol and a klein. i am regretting not noting down the names of the other artists. i got to see the work of Perry, the guy who one the turner with his big it was a refreshing break to get some time to myself and after my first meal this week requiring a full set of cutlery, italian, accompanied by reading a fab book on contemprary art i purchased in the shop, i returned to my room and looked forward to watching the duke on jools holland. but alas i fell asleep before newsnight review had even started and awoke at 3am still fully dressed on top of my bed with the tv on. i clearly needed the rest. so, after a nice hot bath this morning and repacking my bags i am sitting in the lounge of the thistle hotel on wireless, wondering at what point the coffee bar is going to be opened, or rather, staffed.
i am surround by a sea of red and white scarfs and shirts, which tells me there's a football match on today. and i've deduced that even without coffee.
this is a very interesting experience, this touring lark. the other other woman on the bus is lucy the violinist and she has been commuting to the gigs this past week. claire, pete's tour manager, is on the other bus, so i am surrounded by men in their mid to late forties...
i find myself negotiating many a moment and am learning so much... as pete noted the other night, watching the roundhouse gig, being on a tour bus is rather like being on big brother. (but with less space and more drugs.)
got to see the lovely JJ at the roundhouse, which was a treat. saw paul weller too, who was very tanned.
right, time to head to liverpool academy. this is working day after all. i don;t need to really get working till after 4 so i'll head to the venue and then go find a proper cup of coffee. pronto.
hope this finds you all well, thanx for the messages posted here and texts. you keep me rooted.
Wednesday, November 01, 2006
stu has emailed to say someone has attached a bootleg of the frames live in belfast to one of my collages, which came home yesterday and are now in my room.
to whoever the mystery person is, thank you!! i look forward to listening to it as i get my tattoo done on friday 10th. yay!
am feeling rather groggy after a disturbed night with nowhere near enough sleep. a rear tire shredded on the tour bus and cut an air line and we had to pull off the road at half four in the morning into serives somewhere near stanstead. i hadn't even gone to bed at this point 'cause the noise it had been making for an hour was like a pneumatic drill inside the bus when we were at full speed.
so in bed at 5am. hauled out of our bunks at half 8 and onto a second bus to get us to norwich while our one was repaired. i thought it was 9 but i think the "hauler out of bedder" was trying to make us feel less disgruntled by making us think it was slightly later than it was.
the second bus tore down the road and it was a far from smooth journey. so, no sleep. just sat and drank sloshing tea and the lads examined a map of britain i had bought yesterday to get better oriented and we traded quite interesting geography related facts and trivia which i would share if i could remember them...
right, i'm gonna go find some food and avoid napping while soundcheck is on.
tomorrow is a very big day. sold out gig at the roundhouse in london. so, be surprised if you hear from me before liverpool on saturday.
post script: london gig works on a concession basis, which means i won't be physically selling anything, the venue does.
this is a good thing. it will be a busy night. there is a bleary smile on my face. biggest night on my watch and i'll be doing less than on any other night. :0)
keli - i have decided that when the lights go out over europe is probably my favourite dc song in the set. the one with the spooky plinky plonk notes in it. sends shivers up my spine everytime.
right, now for tonight's count and i want to do it before duke's drum check starts. chips big bass drum is not conducive to accurate numerics in the head.
Tuesday, October 31, 2006
i'm merching inside the venue again tonight. so agian this might be a bit scatty...pretty sedate crowd tonight. getting to know the set and starting to recognise my favourites by the intros. i think i've shimmied more that anyone else here and i'm not even paying attention.
last night was really cool. on the DC bus for the first time. it was emptier than usual as the london based band members headed home for a few days of commuting to and from the gigs. i had a really nice welcome from neil (frontman), tim (drums), john (guitar), and simon (bass). they taught me how to play a cool dice game called Perudo and we had a lot of fun with a drink and a small wager. i lost my 5 euro fairly swiftly but it was a small price for a really entertaining night. neil sang, carrie doesn't live here anymore by sir cliff and that was it, i felt right at home. i went to bed relaxed and woke relaxed and by the sea.
so duke special has a new voluntary position. he's now become purveyor of snacks for me. jayne will be cheering at this... when he comes off stage he comes to the desk to see if i need anything. tonight i was feeling hungry as i hadn't had anything since lunch. so i've just polished off a platter he created with his own paino playing hands,
3 rounds of sandwiches - cheese and tomato and veggie pate with veggie chicken
mini milky way stars
bottle of mineral water
at last, the place is starting to liven... neils been doggedly trying to get the crowd to loosen up and now the gay contingent are starting to get into the groove. the 'cover' in the set on this leg of the tour is prince's raspberry beret...lovin' it.
right, better get this posted,
only a few mins to the end of show and then my busiest part of the day begins...and in less than hour it's all over for another day.
i've loved it so far...
Sunday, October 29, 2006
didn't expect to be online so soon but there's a lovely wireless connection here in the liquid room in edinburgh.
so! this is the first gig. i may have to stop suddenly and this may be a little incoherent, my apologies...
the divine comedy are on stage as i type (man, they are good! i'm impressed), and the audience are rapt, so business is in lull mode, but the gig has sold out and it'd be a mean feat for anyone to reach the merch desk through the crush. i say merch desk, it actually consists of 2 huge drum boxes but alas they are on wheels that don't lock and the crowd are a persistantly swelling tide pushing us backward into the corner.
duke did a great opening set, pete's tour manager's writing emails on her laptop, i'm munching on a banana as i type, and chip has joined us in our dark little corner to say hello and we are now trapped.
neil hannon has the sexiest voice when he drops an octave in speech... christopher robin meets barry white.
i spent last night with my aunt. we had a few glasses of vino and stayed up rather late chatting 'bout important stuff we have in common. it was moving and wonderful. i did a little shopping this morning and then some prep work on my laptop outside a cafe on cockburn street and the sun shone and i thought for all the panoramas on offer in this my favourite of my home cities, the view down that street just fills me with a sense of delight...
but so far, all is well and folks have been friendly and welcoming. but we'll see if my stock and takings add up before i can even remotely relax. i'm on the duke coach tonight. pete and i are gonna discuss tattoos i think...
right better get back into work mode. something tells me this is going to get a little crazy at the end of show. the end of the night is when all the hard speedy graft has to be done.
well, who knows where i'll be next time i post... when i said i'd try and post from the road i didn't actually mean from inside a gig...
oh, i think i know this one... it's about a ferris wheel...someone stuck it on a compilation for me a few years back... it's all very miss marple this stuff... if feel the need for a pair of seamed stockings and a rations book ...
Saturday, October 28, 2006
i head off today for the duke special/divine comedy tour... can't believe it's finally here. i am no longer an administrator, i am now, albeit temporarily, a merch roadie. i'm packed, and chris has given me the first 2 seasons of spooks has a comfort blanket for any lonely or insomniac moments on the road. thanks bro, much appreciated.
for those who have it i'm contactable on my mobile. i'll try and get internet access at some point.
i'll be back in belfast on friday 10th november for the belfast gig on the 11th and derry on the 12th. i'm hoping robin and i can coordinate our schedules on the 10th to get my tattoo done.
i'll be back in irwin and joining the ranks of the unemployed on monday 13th nov.
i'll be on a trip to Ontario from 19th december to 3rd january and then i'll be hauling my jet lagged ass to edinburgh for the lovely kirsty's wedding on the 5th jan. back in belfast sometime on the 7th january.
gailers - adam philips is on the dining table at the house for you to collect at your leisure.
mark - have a blast with team fury - so sorry to be missing your first couple of weeks. hope you and team F have a lovely couple of weeks.
padraig - sorry we didn't get to IM the other day. looking forward to catching up on my return.
Jude - hope you are having an amazing time. i love ya. a mission: please give julie lee a massive hug for me and thank her for the stunning gift. i'll write to her from the tour. get her to email me her postal address.
willow - you rock. as the number zero said to the number 8, "LOVING the belt".
ricky, jayne: i'll be in touch to hook with you guys on the 10th. i'll be missing you and know there will be many a time when i'll be wishing i could turn to you guys in random moments with secret looks that say, "WTF?" and speak out of the corner of our mouths about general weirdnesses witnessed. or indeed grin at cool shit.
keli - welcome home lovey. i'll be in touch to coordinate the tattooing. please god it works out. you've been missed.
right better get my ass into gear. i leave in an hour and i'm still in my PJs.
so, see y'all in a couple of weeks. you shall be missed.
take care of yourselves. and each other.
sunday 29 edinburgh (apologies to buddies in edinburgh that schedule doesn't allow me time to meet up)
monday 30 oxford
tuesday 31 portsmouth
wednesday 1 norwich
thursday 2 london
friday 3 no gig
saturday 4 liverpool
sunday 5 nottingham
monday 6 no gig
tuesday 7 galway
wednesday 8 cork
thursday 9 dublin
friday 10 belfast, no gig
saturday 11 belfast mandela hall
sunday 12 derry
monday 13 return to belfast. no doubt with screaming hangover. do laundry.